Front Page

The year 1920 marked the turning-point in Italy’s postwar crisis. Left-wing agitation and the threat of revolution reached their climax in September 1920, with the occupation of Italy’s largest factories by the workers. In Turin, Antonio Gramsci emerged as the theorist of the factory council movement as an authentic expression of the revolutionary proletariat. A minority of the Futurists responded by forging links with the Proletkult movement in the Soviet Union. However, Soviet collectivism troubled Marinetti, and many artists, who reasserted the primacy of the individual

However, the failure of the Socialist leadership to seize the occasion to convert their revolutionary rhetoric into action led to profound disillusionment, and to the secession of the left wing of the Socialist party, completed at the Congress of Livorno in January 1921 with the foundation of the Italian Communist party.

The reaction was not long in coming. It started not in the industrial cities but in provincial cities like Bologna and Ferrara, and in their rural hinterland, where the control exercised by the Socialist movement through their organization of agricultural laborers posed an even greater threat to property than the working-class movement in the cities. The reaction took the form of squadrismo: the armed action of the squads organized by the Fascist movement, which won its first symbolic victory with the occupation of the town hall of Bologna, and the expulsion of the newly elected Socialist council. The Fascist movement attracted wide sympathy from those who saw it as a legitimate patriotic response Socialist internationalism and a “defeatist” refusal to celebrate Italy’s victory in 1918. The artist Ottone Rosai was a typical representative of this tendency. However, even as the Fascist movement continued to expand rapidly, some of its original adherents dissociated themselves from it, on the grounds that it no longer represented the cause of “national revolution,” and had become the tool of social reaction.

The rapid political changes of 1920 left many artists perplexed, dissatisfied with the major artistic movements (Futurism or Metafisica) and searching for new directions. Mario Sironi, while refusing any idea of a return to the past, abandoned the optimism of the early Futurists in favor of a stark and pessimistic vision of the new urban reality, while actively contributing as a cartoonist to Mussolini’s Popolo d’Italia. Giorgio Morandi turned away from the public sphere of controversy and sought his inspiration in an intensely private and solitary vision.

Adrian Lyttelton is Professor of History at the Johns Hopkins University Center in Bologna. His previous appointments include Professor of Modern History, University of Reading; Resident Professor of History, Bologna Center; Professor of European History, University of Pisa. He has been Visiting Professor at the University of California, Berkeley and at the American Academy in Rome. He is the author of The Seizure of Power: Fascism in Italy 1919–1929 as well as of many other publications on the Twentieth century Italian and European History.

FREE for CIMA members and students. Registration required.

RESERVE A SEAT!

Please note: CIMA will be live-streaming the program on our Facebook page.

Program schedule:

6pm – registration, aperitivo, and viewing of Metaphysical Masterpieces

6:15pm – program begins, followed by audience Q&A

8pm – evening concludes

The Center for Italian Modern Art is pleased to announce a workshop, for children age 6 -11, led by museum educators and scholars in residence. By incorporating close observation with guided conversation and an artistic activity, children develop meaningful and lasting relationships with art in an intimate exhibition environment.

Children explore the exhibition, Metaphysical Masterpieces 1916-1920, Morandi, Sironi and Carrà, and discover how Giorgio Morandi sees and interprets ordinary objects of everyday life. Working with crayons, colored pencils and artisanal papers, participants will use their newfound knowledge from the exhibition, to make their own representation around the question: what makes a still life painting, a still life?

RSVP REQUIRED

(Please note 1 reservation admits an adult and a child)

Schedule

3:30pm — Welcome

3.45pm — Start of the activity: Tour of the exhibition and Workshop with creative activity

5.15pm — End of program

Please note: At least one caretaker must remain at CIMA for the entire duration of the program. While the children are engaged in their creative activity, caretakers are invited to enjoy an Italian coffee, read books from CIMA’s library, peruse newspapers or tour CIMA’s Metaphysical Masterpieces, 1916–1920: Morandi, Sironi, and Carrà exhibition.

Franca Bombieri was born and raised in Italy where she attended the Liceo Artistico (Art School) in Venice. She continued her studies at Ca’ Foscari University, and later received her Bachelors Degree in Liberal Arts with concentration in Art History in New York City. In New York, Franca taught at the Rudolf Steiner School for fifteen years during which she also traveled to Kenya for three consecutive summers to work with the Samburu Tribe, developing a school program that would reflect their culture.

Franca has been able to fuse together her formal education with her experience as a teacher by teaching art classes to children and their care-givers at the Art Barge, the Victor d’Amico Institute of Art in Amagansett NY. Franca’s passion has been finding ways to communicate art to children and teenagers based on cognitive development, as she believes that art is a powerful form of expression that delivers and fosters communication. She has been a volunteer at the Metropolitan Museum of Art in the Access Department of Education for these past five years, and is currently enrolled in the Docent Program.

FAQs:

Can I leave my child?

At least one caretaker must remain at CIMA for the entire duration of the program. We invite you to relax, enjoy an espresso, our exhibition and library during this time.

Will you have programs for other ages?

CIMA is expanding its family programs and will be posting new events and activities for additional age groups.

Please contact [email protected] for any further questions.