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Life & People
Language-learning sentences are always slightly funny.
Bailed-out Monte dei Paschi, the world’s oldest bank and a bastion of tradition dating back to 1472, has entered the realms of virtual reality. It’s an unlikely sign of the times.
Mayor Bill de Blasio may have opened up a civic can of worms when he promised to wipe “symbols of hate” from city property, ultimately creating a commission to consider what to do about potentially offensive statues and monuments.
When a candidate for a neo-fascist party, CasaPound, won a seat this month on the municipal council of the Roman suburb of Ostia, many Italians were startled.
Twenty-six matching coffins for the mostly nameless victims of the latest Mediterranean migrant disaster were lined up in two rows in the center of the main cemetery in Salerno in southern Italy on Friday.
For a nation with holes in its social safety net, ‘a challenge that makes your hands shake’
Italian journalists have moved to set up a company in the name of a notorious mafia boss headquartered at 10 Downing Street – to illustrate weaknesses in British law they say helps people set up shell companies to launder money across the globe.
It’s official: Italy has a national anthem, just in time for the World Cup... oh.
Italy has defended its policy on blocking migrants in Libya, saying the deal, denounced as "inhumane" by the UN, was essential to stop boat departures towards Europe.
Two episodes of gritty mob show “Gomorrah 3” have shot to No. 1 at the Italian box office after pay-TV operator Sky Italia, trying out a new distribution strategy, put them in cinemas before broadcasting them on the small screen. The episodes earned four times as much in theaters as freshly released feature film “Borg/McEnroe.”
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Italy in NY Calendar
Rarely seen photos of the art punk scene in 1980s Naples will be on view at the Italian Cultural Institute from December 8, 2017 to January 12, 2018.
Against the backdrop of a city exacerbated by urban disaster, an unruly artistic movement emerged, calling themselves the "Neapolitan Savages," and for a brief moment, their utopian credo -- counter public corruption and the new political makeup with creative anarchy -- gave hope to a people debased by the oppressions throughout history.
Curated by Paolo Pontoniere and Toty Ruggieri, in collaboration with Comune di Napoli, Accademia di Belle Arti Napoli and Campania Felix LLC.
Friday, December 8, 2017 | 6:30pm - 8:30pm
Italian Cultural Institute of San Francisco
601 Van Ness Ave, Suite F, Opera Plaza
Refreshments to follow | Free Admission | RSVP HERE
The breathtaking UP CLOSE: MICHELANGELO’S SISTINE CHAPEL allows exhibition goers to view one of the world’s greatest artistic achievements: Michelangelo’s renowned ceiling frescoes from the Vatican’s Sistine Chapel, reproduced and artfully displayed in near original size in a format that allows viewers to get face to face with the artists masterpieces. Through an in-depth exhibit of 34 reproductions artfully displayed in an immersive environment, this innovative interpretation allows visitors to experience breathtaking pieces likeThe Creation of Adam and The Last Judgement as only few others have; a perfect experience for those who have seen the pieces in their grandeur in the Vatican City and want a closer look, or have never made the trip but want to experience the wonder and beauty themselves.
The genesis of the Arte Povera movement is, in many ways, inseparable from the history of Ileana Sonnabend’s legendary gallery. In celebration of the fiftieth anniversary of the movement’s inception, Ileana Sonnabend and Arte Povera will open at Lévy Gorvy’s New York location on November 2nd and will run through December 23rd. Curated by the renowned art historian and Arte Povera forefather Germano Celant, this exhibition is the first to investigate Ileana Sonnabend’s central role in the international reception of Arte Povera, and the close friendship between Celant and Sonnabend that grew out of their shared interest in the Italian artists.
The exhibition will include works by Giovanni Anselmo, Pier Paolo Calzolari, Jannis Kounellis, Mario Merz, Giulio Paolini, Michelangelo Pistoletto, and Gilberto Zorio—most of which were originally displayed at Sonnabend’s New York or Paris galleries.
Di Donna Galleries is pleased to present Nuvolo and Post-War Materiality 1950–1965, an exhibition curated by Germano Celant that highlights the early career of the Italian artist Nuvolo (né Giorgio Ascani; 1926–2008). The exhibition features 20 works by Nuvolo, most of which have never been seen outside of Italy, contextualized by important works by other artists working in Italy, Spain, France, and the United States following World War II, including Alberto Burri, Ettore Colla, Pietro Consagra, Jean Fautrier, Lucio Fontana, Addie Herder, Piero Manzoni, Conrad Marca-Relli, Manolo Millares, Mimmo Rotella, Angelo Savelli, Salvatore Scarpitta, Toti Scialoja, Antoni Tàpies, and Cy Twombly.
On view through December 16th, the exhibition is the latest in Luxembourg & Dayan's ongoing, critically acclaimed program devoted to the relationship between postwar Italian art and contemporary culture. The exhibition features historical works by Giovanni Anselmo, Pier Paolo Calzolari, Luciano Fabro, Jannis Kounellis, Pino Pascali, and Michelangelo Pistoletto. These are placed in conversation with contemporary works by Olga Balema, Elaine Cameron-Weir, Nina Canell, Jason Loebs, and Carlos Reyes. The exhibition will be accompanied by an illustrated catalogue featuring essays by art historian Alex Bacon and Josephine Graf.