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  • Giorgio Morandi, Natura Morta, 1918
    The Center of Italian Modern Art is a non-profit exhibition and research center that opened its graceful and airy SoHo loft in the beginning of 2014. For its 2018-19 academic year CIMA presents “Metaphysical Masterpieces 1916-1920: Morandi, Sironi, and Carrà,” in collaboration with Pinacoteca di Brera, Milan.
  • Laura Mattioli, Founder and President of CIMA
    On the occasion of this year's exhibition dedicated to the awe-inspiring yet unrecognized artist Alberto Savinio, brother of the famed Giorgio De Chirico, we had the chance to talk with CIMA's President and Founder Laura Mattioli. An insightful conversation that traces back the institution's history and its ongoing effort to bring to international prominence Italian Modern Artists.
  • Alberto Savinio, I re magi (The Wise Men), 1929. Mart – Museo di arte moderna e contemporanea di Trento e Rovereto, Rovereto (c) 2017 Artists Rights Society (ARS) / SIAE, Rome. Photo: Dario Lasagni
    The Center of Italian Modern Art (CIMA) puts ambitious effort towards bringing to international prominence the awe-inspiring yet under-recognized artist, Alberto Savinio. During one of their public programs, i-Italy had the chance to interview one of the most important art historians and critics of the postwar period in Italy, Renato Barilli, and discover the nature of Savinio’s relationship with his better known brother.
  • A conversation about the life of Medardo Rosso (Turin, 1858 - Milan, 1928), and his relationship to New York. i-Italy talks to Laura Mattioli, Founder and President of the Center for Italian Modern Art, and Danila Marsule Rosso, President of the Museo Medardo Rosso and the sculptor’s greatgranddaughter.
  • Art & Culture
    Mila Tenaglia(November 06, 2014)
    After the first big exhibit at CIMA headlined by Fortunato Depero, the Center for Italian Modern Art is opening the doors to its enchanting SoHo loft for its second annual installation, a major retrospective of Medardo Rosso that showcases not only sculpture but also photography and abstract drawings by one of Italy’s major sculptors.
  • Style: Articles
    Letizia Airos(October 22, 2014)
    Ferrari’s head of design Flavio Manzoni talks about design, tradition, innovation, and the courage to experiment. He also shares his thoughts about working in Italy and abroad, his fascination with New York’s cultural melting pot, and the importance of staying true to one’s roots while looking ahead to our globalized future.
  • Art & Culture
    L. A.(February 17, 2014)
    We interviewed the Director of the Italian Cultural Institute of New York, Riccardo Viale, who is at the end of his mandate. As he bids us farewell he leaves behind an App that allows users to access the calendar of events at the Institute but also to check out cultural initiatives that take place in Italy.
“Why?” he says “Because the Institute must become the go-to information channel for Americans interested in all that is Italian.”