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  • Francesco Simeti with his work in Civita di Bagnoreggio. Photo by Piotr Niepsuj.
    Following the opening of the artist’s latest show in New York’s Assembly Room, I sat down with him in his Gowanus studio to talk about what informs his practice, its accumulative nature, as well as its penchant towards a baroque aesthetic, which he uses to “trick” viewers into confronting the difficult realities, from devastating wars to the rapid advance of climate change, hiding behind all the embellishments.
  • Seeing Through - Marthe Keller & Antonio Scaccabarozzi
    On view until March 16, the two-person exhibit features work from an Italian-born painter and a New York native who hail from different artistic generations, yet both embody the idea of "seeing through" in their works.
  • What do Americans think of Italian design? We asked one of the best-known and most provocative practitioners in the field, Gaetano Pesce. Here he reflects on the deeper meaning of design as a comment on reality both innovative and experimental. Though his concepts were initially new to an American public, it has always appreciated Italian design, particularly the radical brand promulgated by Pesce, since, as he puts it, “Diversity is one of the great qualities of our current moment and as individuals we are responsible for one another.” Naturally, we took advantage of the opportunity to ask him about his latest projects, too…
  • Unlimited Perception, solo show by the master of optical illusions Alberto Biasi, just came to its conclusion. A journey through kinetic art, playing with different materials, lights, and shadows. De Buck gallery opened its doors to a truly contemporary show that stems from the works Maestro Biasi created starting from the late 70’s up to 2012. Highly modern and experimental, these canvases confirm Alberto Biasi’s artistic greatness.