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 Tony Di Bartolo, V.P for Public Relations of the Italian Genealogy Group presents Mezzo Siciliano-Mezzo Napolitano a description of his journey back to his ancestral hometowns in the Mezzogiorno.  The evening will include a wine tasting featuring the wines of Southern Italy and an art exhibit entitled “Calabria Pittoresca” a series of paintings depicting the villages and landscape of the Calabria Region by award-winning Italian Artist Luigia Granata.    $50 per person includes tasting, film, wine, cheese and light fare. Space is limited. Reservations recommended.

Casa Belvedere, The Italian Cultural Foundation Presents An Italian Wine Tasting of Refreshing Summer Whites and a special presentation of "A Time to Remember" a John Orlando film  celebrating those wonderful Italian American singers who became icons of American culture.

Space is limited. Reservations recommended.

Kindly park directly across the street in the lot at Notre Dame Academy

Casa Belvedere, The Italian Cultural Foundation Presents An Italian Wine Tasting of Refreshing Summer Whites and a special presentation of "A Time to Remember" a John Orlando film  celebrating those wonderful Italian American singers who became icons of American culture.

Space is limited. Reservations recommended.

Kindly park directly across the street in the lot at Notre Dame Academy

Like all the great modern Italian directors, Francesco Rosi has roots in neorealism; he apprenticed with, most famously, Luchino Visconti on La terra trema as well as on Bellissima and Senso, which he cowrote. Yet Rosi is like no other director. An artist with a passionate commitment to truth, he is never for a moment fooled into thinking he has found it. Rosi constructs his films, mostly thrillers and political exposés, as dramatic inquiries, frequently into real situations, always into real social forces—the forces of corruption.

Like all the great modern Italian directors, Francesco Rosi has roots in neorealism; he apprenticed with, most famously, Luchino Visconti on La terra trema as well as on Bellissima and Senso, which he cowrote. Yet Rosi is like no other director. An artist with a passionate commitment to truth, he is never for a moment fooled into thinking he has found it. Rosi constructs his films, mostly thrillers and political exposés, as dramatic inquiries, frequently into real situations, always into real social forces—the forces of corruption.

Like all the great modern Italian directors, Francesco Rosi has roots in neorealism; he apprenticed with, most famously, Luchino Visconti on La terra trema as well as on Bellissima and Senso, which he cowrote. Yet Rosi is like no other director. An artist with a passionate commitment to truth, he is never for a moment fooled into thinking he has found it. Rosi constructs his films, mostly thrillers and political exposés, as dramatic inquiries, frequently into real situations, always into real social forces—the forces of corruption.

Like all the great modern Italian directors, Francesco Rosi has roots in neorealism; he apprenticed with, most famously, Luchino Visconti on La terra trema as well as on Bellissima and Senso, which he cowrote. Yet Rosi is like no other director. An artist with a passionate commitment to truth, he is never for a moment fooled into thinking he has found it. Rosi constructs his films, mostly thrillers and political exposés, as dramatic inquiries, frequently into real situations, always into real social forces—the forces of corruption.

Like all the great modern Italian directors, Francesco Rosi has roots in neorealism; he apprenticed with, most famously, Luchino Visconti on La terra trema as well as on Bellissima and Senso, which he cowrote. Yet Rosi is like no other director. An artist with a passionate commitment to truth, he is never for a moment fooled into thinking he has found it. Rosi constructs his films, mostly thrillers and political exposés, as dramatic inquiries, frequently into real situations, always into real social forces—the forces of corruption.

Like all the great modern Italian directors, Francesco Rosi has roots in neorealism; he apprenticed with, most famously, Luchino Visconti on La terra trema as well as on Bellissima and Senso, which he cowrote. Yet Rosi is like no other director. An artist with a passionate commitment to truth, he is never for a moment fooled into thinking he has found it. Rosi constructs his films, mostly thrillers and political exposés, as dramatic inquiries, frequently into real situations, always into real social forces—the forces of corruption.

Like all the great modern Italian directors, Francesco Rosi has roots in neorealism; he apprenticed with, most famously, Luchino Visconti on La terra trema as well as on Bellissima and Senso, which he cowrote. Yet Rosi is like no other director. An artist with a passionate commitment to truth, he is never for a moment fooled into thinking he has found it. Rosi constructs his films, mostly thrillers and political exposés, as dramatic inquiries, frequently into real situations, always into real social forces—the forces of corruption.