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Laura Mattioli, Founder and President of CIMA
Main gallery looking south-east. Photo:Dario Lasagni From left to right: Le fantôme de l’Opéra (1929), I re magi (1929), Senza titolo (1929), Monumento ai giocattoli (1930), Le navire perdu(1928)- The CIMA Scientific Committee chose Savinio as the subject of this year's studies because it considers him an artist of particular interest to be rediscovered, therefore perfect for the mission of the foundation, but also for his activity in different cultural fields. Laura Mattioli
Main gallery looking south. Photo:Dario Lasagni From left to right: Monumento ai giocattoli (1930), Le navire perdu (1928), L’abandonnée (1929), Le réveil du Carpophage (1930), Le songe d’Achille (1929), Chevauchée marine(1929), Prometeo (1929)
Alberto Savinio, Le navire perdu (The Lost Ship), 1928. Private Collection. (c) 2017 Artists Rights Society (ARS) / SIAE, Rome.Photo: Dario Lasagni
The de Chirico Brothers - Alberto Savinio (left) Giorgio de Chirico (right)
Prof. Renato Barilli during his talk at CIMA- CIMA is trying to grow. The programs with middle school children were those who gave us the greatest satisfaction last year. We try to differentiate our programs for different types of public and not remain a place only for specialists. It is a big commitment, but it is our mission. Laura Mattioli
One of CIMA's young scholars-in-residence leading a guided exhibition tours